In our moral code, the spectre of atrocity, of gratuitous and profitless sacrifice, is always recuperated back into an economy of responsibility in the same way that pornography industrialises the process of erogenous looking in order to locate and secure the field of eroticisation, which is thereby disarmed and regulated in repetition. Evil is 'put to work', to serve 'The Good' in the terminal display morality squeezes from the deified bodies of Eden's slaughtered subjects (witness the redemptive pleasure in light of the Bulgerisation of childhood). by attaching use-value to its excesses is to demonstrate the obfuscative and discrete process typified by the prostitutional contract: perversion commodified, a process of exchange where each diabolical act stands (ironically) to serve the moral hypersensitisation of Society. To redeem the eruptive discharge of Eden. its image is each time represented as though it had never been carried out'. According to Pierre Klossowski 'a transgression must engender another transgression. (celebrating its prodigal return after its eleven year censorship like he couldn't get a copy?), the logic of rational commentary is equally likely to assume the didactic responsibility in placing transgression within moral limits, despite the intention being quite the opposite.

Like Foucault's disposition to sociologise Guyotat's Eden. During this exposure to elaborate rape, child murder, bestiality, paraphilia and death, a dangerous harmony is struck between text and reader: any MORE boring and the reader would fall into coma or die.

Heart stimulants are recommended because the rhythmic pulse of words droning through Eden's lettered vein-structure perfectly synthesises, balances and regulates the monotony of the reader's metabolic rate as they pass through the text's homeostasised violence. Mainline Digitalis and flutter along the cardiovascular axis of Pierre Guyotat's Eden, Eden, Eden (1995) a sentence lasting 6762 lines and 163 pages undisturbed by the closure of a single full stop.

Eden eden eden pierre guyotat